Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. ), 162 (colour illus.). Closed Good Friday & Christmas day Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. Open daily Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. Whiteley won his first major prize at the age of 20, the Italian Travelling Art Scholarship, awarded by Sir Russell Drysdale. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. Brett Whiteley Studio Collection. Alec George, Look, 'Whiteley's 'inner paddock', pg. 34-35, Australia, Sep 1991, 34-35 (illus.). List of works. Its not the dark, edgy image of a celebrity, but the portrait of an artist. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. SELF-PORTRAIT, 1977 Self Portrait in Studio Brett Whiteley 1976. signed lower right: brett whiteley. His self-portrait was a bold, almost grotesque confessional. 46. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. 13, no. Brett Whiteley, AO was an Australian artist. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. 81-82, Port Melbourne, 1998, 82 (colour illus.). Summer at Carcoar Brett Whiteley 1977. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. Artists; A-Z Listing; Art movements; Schools and groups Andrew Powell, Departures, 'Sydney[.] . He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. 109. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. This appeared in the `Arts' section of `The Australian Supplement'. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. Brush and ink on brown paper 80.5 x 53.5cm. After studying desultorily at art school he travelled to Europe on ascholarship. They had borrowed the money, using their car as collateral. Jane Hampson, Look, 'wwwhiteley.com', pg. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his beautiful . plate no. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Email clairem@ag.nsw.gov.au. This appeared in the `Arts' section of `The Australian Supplement'. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . Why did that particular work gain your attention? AU $100.00. Choose one of Whiteleys self-portraits. He soon settled in Lavender Bay. Self-portrait with reading specs, 1991. 9, Sydney, 07 Sep 2013, 9. Shop today! Brett Whiteley and the lyricism of the drawn line - in pictures . Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). He also painted the darling harbour and the opera because he lived in sydney. He painted a series of paintings based on these events, including Head of Christie. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. ), 24. An audio version released by Audible in 2016 was narrated by Mark Seymour. No other Australian artist had such a wild, woolly set of curls. [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). IMAGE CREDIT: Brett Whiteley (1939-1992) Self portrait drawing calligraphically 1975. Consider the location, size and functions. 239-240, Sydney, 2000, 256 (colour illus. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. Saturday 29 April to Sunday 20 August 2006. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). All rights reserved. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . ), 257 (colour illus., detail), 302. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. The balcony 2 Brett Whiteley 1975 116.1981. Philip McIntosh. (1974) The balcony 2 (1975) and Interior with time past (1976 . [4] In 1962, Whiteley married Wendy Julius. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). He was the youngest living artist to have work purchased by the Tate, a record that still stands. unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). This photograph was taken by Andrew Rankin. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Weight photographed Whiteley throughout the 1970s. Ink on Torn Reassembled Paper 65x60cm Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). Throughout his career, Whiteley would return again and again to the self-portrait, as a form of self-examination and self-dramatisation. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . fig.no. 28-29, Sydney, Mar 2012, 28, 29 (illus.). Self Portrait with Real Hair, 1977, ink and hair on paper, 76.0 x 51.0 cm, whereabouts unknown. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. 2023 John McDonald. 1928 Dr Alexander Leeper by John Longstaff. Peoples personalities are reflected in the things they collect and the environments in which they live. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Unresolved: Release in which this issue/RFE will be addressed. 30.5 x 25.5 cm. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. 1 whit.jpg. Donated through the Australian Government's Cultural Gifts Program. 1924 Miss Collins by W B McInnes. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014).
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